Open-Sourcing and Magic
Crowd-sourcing, out-sourcing and open sourcing are some of the terms that have emerged in this new millennium and echo the principle of democracy in fields that lie beyond the spectrum of politics.
While these concepts have been applied in several disciplines with varying degrees of success, magic remains an exception and even now there is no solution in sight for those who are engaged in constant agreement.
Given the nature of magic, crowd-sourcing and out-sourcing automatically stand eliminated but open-sourcing is very much applicable and it entails letting others in on how a particular magic trick is performed.
In case of magicians this implies revealing their trade secrets – an act which is bound to cause hurt on the professional front not just to them but the entire community of professionals.
For a magician, of open-sourcing and magic would mean collaborating with experts from related fields like scientists, technologists, artists and programmers each of which is expected to contribute towards creation of an illusion and work towards its betterment.
though it is that working in tandem with other professionals opens new horizons
and helps to innovate on existing bag of tricks, it also calls for letting
others in on fiercely guarded knowledge that is often treated as intellectual
property. (open-sourcing and magic)
Anyone who has been to a magic show or even studied the subject in depth is likely to be able to interpret, at least approximately if not precisely, how the trick was performed.
Ample proof of this is available on YouTube and television wherein spoil-sports not only unravel the trick but also go to the extent of taking all the credit for it.
So what about the magician who invented the trick in the first place?
Isn’t he justified in feeling indignant about his trick being stolen from him and broadcast the world over without as much as his permission or any acknowledgement to his talent?
Apart from the copyright issue, there is of course the issue of having one trick less in the bag because subsequent to having been disclosed the trick will have lost its charm and hence can never be enacted again.
Owing to these factors, magic as a field has always remained shrouded in secrecy which many magicians feel is responsible for its retarded and stunted growth.
Particularly vocal in applying open-sourcing to magic is a Marco Tempest, a well known techno-illusionist of Swiss origin, who is currently engaged in developing a robot named ‘Baxter’ to serve as his personal assistant in future.
According to him, currently magic is totally closed field which can only benefit from opening up to allow other disciplines to contribute towards designing of miracles.
He is also strongly in favor of the theory that when an illusion has been successfully staged, credit for its creation should be shared by all parties concerned, including the magician.
Another magician who supports this view is Kieron Kirkland who is currently practicing his art in Britain.
But so far these are the only protagonists who have expressed favor for open-sourcing in magic and they do not even constitute the tip of an iceberg.
Whether convincing other experts will be easy or difficult remains to be seen as also is the fact that how many of them come forward in support of this concept?